Djubal, Clay (2009). "Looking in all the wrong places"; or, harlequin false testimony and the Bulletin magazine's mythical construction of national identity, theatrical enterprise and the social world of little Australia, circa 1880-1920. In Amit Sarwal and Reema Sarwal (Ed.), Creative nation: Australian cinema and cultural studies reader (pp. 405-422) New Delhi, India: Sports and Spiritual Science Publications.
Djubal, Clay Roden (1999) From minstrel tenor to Vaudeville showman: Harry Clay, 'a friend of the Australian performer'. Australasian Drama Studies, 34: 11-24.
Djubal, Clay Roden (2005). What oh tonight : the methodology factor and pre-1930s' Australian variety theatre (with special focus on the one act musical comedy, 1914-1920) PhD Thesis, School of English, Media Studies and Art History, The University of Queensland.
Djubal, Clay Roden (1998). Harry Clay and Clay's Vaudeville Company 1865-1930 : an historical and critical survey M.A. Thesis, School of English, Media Studies and Art History, The University of Queensland.
Djubal, Clay Roden (1996). Strategies of subversion: an examination of Tomson Highway's The Rez Sisters and its appropriation of sonata form Honours Thesis, School of English, Media Studies and Art History, The University of Queensland.