This project uses and expands upon recent models of European secularization to develop a new account of British literary history in the 17th and 18th centuries. By focusing on writing that emerged from three particular movementsneostoicism, sentimentalism and evangelicalismit shows that literature in the period did not conform to a narrative of triumphant secularization. Rather, literary writing knew no secular/religious divide at all. From this perspective, key literary genresthe essay, novel and meditative poetryacquire new contexts, purposes and meanings. This innovative account of literary history will also contribute to a more nuanced understanding of secularization itself.

Project members

Associate Professor Lisa O'Connell

Associate Professor
School of Communication and Arts