This presentation speaks to Gillian's recently published book Postcolonial Life Narrative. This work draws together two dynamic fields of contemporary literature and criticism, postcolonialism and life narrative, to create a new assemblage: postcolonial life narrative. Focusing in particular on testimonial narrative, from slave narrative in the late eighteenth century to contemporary Anglophone life narrative from Africa, Australia, the Caribbean, Palestine, North America, and India, this study follows texts on the move through adaptation, appropriation, and remediation. For postcolonial subjects life narrative offers extraordinary opportunities to present accounts of social injustice and oppression, of violence and social suffering.

Testimonial narrative can reach across cultures to produce intimate attachments between those who testify and those who bear witness to legacies of apartheid, slavery, rape warfare, genocide, and dispossession. Thresholds of testimony are subject to change and for some, for example refugees and asylum seekers, opportunities to engage a witnessing public and inspire campaigns for social justice on their behalf are curtailed—these are the 'ends of testimony'. The production, circulation, and reception of testimonial life narrative connects directly to the most fundamental questions of who counts as human, what rights follow from this, and what makes for grievable life.
Postcolonial life narrative is a dynamic field of literature and criticism, and this book presents a series of proximate readings that outline its distinctive imaginative geographies.

Sue Best is the recently appointed Professor and convenor of Fine Art and Art Theory at Griffith University, Her forthcoming book is called 'Reparative Aesthetics: Witnessing in Contemporary Art Photography'. Together Gillian and Sue will converse on testimony and witness in literary and visual cultures.

Testimonial Transactions: Postcolonial Life Narratives - A conversation with Gillian Whitlock and Sue Best

Fri 28 Aug 2015 1:00pm2:00pm

Venue

Room 208, Joyce Ackroyd Building (#37)