Books
Lindop, Samantha (2022). The Stepford Wives. Liverpool, United Kingdom: Liverpool University Press.
Lindop, Samantha (2015). Postfeminism and the fatale figure in neo-noir cinema. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. doi: 10.1057/9781137503596
Book Chapters
Lindop, Samantha (2020). Masculine cultures of technology and the robotic female avenger in Ex Machina (Alex Garland, 2015). Women who kill: gender and sexuality in film and series of the post-feminist era. (pp. 279-295) edited by Cristelle Maury and David Roche. London, United Kingdom: Bloomsbury Publishing. doi: 10.5040/9781350150799.0023
Lindop, Samantha (2017). It's a love story - involving vampires: the cinematic trope of the wedded bloodsucker. Hospitality, rape and consent in vampire popular culture: letting the wrong one in. (pp. 165-182) edited by David Baker, Stephanie Green and Agnieszka Stasiewicz-Bieńkowska. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-319-62782-3_10
Journal Articles
Lindop, Samantha (2022). Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing. Journal of Posthuman Studies, 73-88. doi: 10.5325/jpoststud.6.1.0073
Lindop, Samantha Jane (2022). Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing. Journal of Posthuman Studies, 6 (1), 73-88. doi: 10.5325/jpoststud.6.1.0073
Lindop, Samantha (2021). Neoliberalism and the undead gothic subject in Daybreakers. Continuum, 35 (2), 282-293. doi: 10.1080/10304312.2021.1936835
Lindop, Samantha (2018). Violent women in contemporary cinema. Continuum-Journal of Media and Cultural Studies, 32 (5), 664-666. doi: 10.1080/10304312.2018.1458821
Lindop, Samantha (2016). Female subjectivity, sexuality, and the femme fatale in Born to Kill. Quarterly Review of Film and Video, 33 (4), 322-331. doi: 10.1080/10509208.2016.1144026
Lindop, Samantha Jane (2014). Carmilla, Camilla: the influence of the Gothic on David Lynch's Mulholland Drive. M/C Journal, 17 (4), 1-6.
Lindop, Samantha (2013). Gender and Popular Culture. Australian Feminist Studies, 28 (76), 236-237. doi: 10.1080/08164649.2013.789578
Lindop, Samantha Jane (2013). Postmillennial cinema and the avenging fatale in Sin City, Hard Candy, and Descent. Scope: An Online Journal of Film Studies, 1 (26), 1-18.
Lindop, Samantha Jane (2012). The homme fatal and the subversion of suspicion in Mr Brooks and The Killer Inside Me. M/C Journal, 15 (1).
Lindop, Samantha (2010). Out of control: Masculine crisis and the Aussie working-class male in Suburban Mayhem. Metro Magazine, 2010 (166), 148-153.
Conference Paper
Lindop, Samantha (2012). No ordinary action heroine: the subversion of postfeminist discourse in the quest to kill Bill. Cultural Studies Association of Australasia Annual Conference (CSAA 2012), Sydney, Australia, 4-6 December 2012.
Thesis
Lindop, Samantha Jane (2014). Femmes, filles, and hommes: postfeminism and the fatal(e) figure in contemporary American film noir. PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. doi: 10.14264/uql.2019.957