Dr Samantha Lindop
Casual Academic Tutor in Film, Media, and Cultural Studies
School of Communication and Arts
Book
Lindop, Samantha Postfeminism and the fatale figure in neo-noir cinema. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015. doi:10.1057/9781137503596
Book Chapter
Lindop, Samantha (2017). It's a love story, involving vampires: the cinematic trope of the wedded vampire. In David Baker, Stephanie Green and Agnieszka Stasiewicz-Bienkowa (Ed.), Hospitality, rape and consent: letting the wrong one in (pp. 163-180) London, United Kingdom: Palgrave Macmillan.
Journal Articles
Lindop, Samantha (2016) Female subjectivity, sexuality, and the femme fatale in Born to Kill. Quarterly Review of Film and Video, 33 4: 322-331. doi:10.1080/10509208.2016.1144026
Lindop, Samantha Jane (2014) Carmilla, Camilla: the influence of the Gothic on David Lynch's Mulholland Drive. M/C Journal, 17 4: 1-6.
Lindop, Samantha (2013) Gender and Popular Culture. Australian Feminist Studies, 28 76: 236-237. doi:10.1080/08164649.2013.789578
Lindop, Samantha Jane (2013) Postmillennial cinema and the avenging fatale in Sin City, Hard Candy, and Descent. Scope: An Online Journal of Film Studies, 1 26: 1-18.
Lindop, Samantha Jane (2012) The homme fatal and the subversion of suspicion in Mr Brooks and The Killer Inside Me. M/C Journal, 15 1: .
Lindop, Samantha (2010) Out of control: Masculine crisis and the Aussie working-class male in Suburban Mayhem. Metro Magazine, 2010 166: 148-153.
Conference Paper
Lindop, Samantha (2012). No ordinary action heroine: the subversion of postfeminist discourse in the quest to kill Bill. In: Cultural Studies Association of Australasia Annual Conference (CSAA 2012), Sydney, Australia, (). 4-6 December 2012.