Dr Samantha Lindop
Teaching Associate in Digital Cultures & Teaching Associate
School of Communication and Arts
Affiliate of Centre for Communication and Social Change
Centre for Communication and Social Change
Books
Lindop, Samantha (2022). The Stepford Wives. Liverpool, United Kingdom: Liverpool University Press.
Lindop, Samantha (2015). Postfeminism and the fatale figure in neo-noir cinema. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. doi: 10.1057/9781137503596
Book Chapters
Lindop, Samantha (2020). Masculine cultures of technology and the robotic female avenger in Ex Machina (Alex Garland, 2015). Women who kill: gender and sexuality in film and series of the post-feminist era. (pp. 279-295) edited by Cristelle Maury and David Roche. London, United Kingdom: Bloomsbury Publishing. doi: 10.5040/9781350150799.0023
Lindop, Samantha (2017). It's a love story - involving vampires: the cinematic trope of the wedded bloodsucker. Hospitality, rape and consent in vampire popular culture: letting the wrong one in. (pp. 165-182) edited by David Baker, Stephanie Green and Agnieszka Stasiewicz-Bieńkowska. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-319-62782-3_10
Journal Articles
Lindop, Samantha Jane (2022). Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing. Journal of Posthuman Studies, 6 (1), 73-88. doi: 10.5325/jpoststud.6.1.0073
Lindop, Samantha (2021). Neoliberalism and the undead gothic subject in Daybreakers. Continuum, 35 (2), 282-293. doi: 10.1080/10304312.2021.1936835
Lindop, Samantha (2018). Violent women in contemporary cinema. Continuum-Journal of Media and Cultural Studies, 32 (5), 664-666. doi: 10.1080/10304312.2018.1458821
Lindop, Samantha (2016). Female subjectivity, sexuality, and the femme fatale in Born to Kill. Quarterly Review of Film and Video, 33 (4), 322-331. doi: 10.1080/10509208.2016.1144026
Lindop, Samantha Jane (2014). Carmilla, Camilla: the influence of the Gothic on David Lynch's Mulholland Drive. M/C Journal, 17 (4), 1-6.
Lindop, Samantha (2013). Gender and Popular Culture. Australian Feminist Studies, 28 (76), 236-237. doi: 10.1080/08164649.2013.789578
Lindop, Samantha Jane (2013). Postmillennial cinema and the avenging fatale in Sin City, Hard Candy, and Descent. Scope: An Online Journal of Film Studies, 1 (26), 1-18.
Lindop, Samantha Jane (2012). The homme fatal and the subversion of suspicion in Mr Brooks and The Killer Inside Me. M/C Journal, 15 (1).
Lindop, Samantha (2010). Out of control: Masculine crisis and the Aussie working-class male in Suburban Mayhem. Metro Magazine, 2010 (166), 148-153.
Conference Paper
Lindop, Samantha (2012). No ordinary action heroine: the subversion of postfeminist discourse in the quest to kill Bill. Cultural Studies Association of Australasia Annual Conference (CSAA 2012), Sydney, Australia, 4-6 December 2012.
Thesis
Lindop, Samantha Jane (2014). Femmes, filles, and hommes: postfeminism and the fatal(e) figure in contemporary American film noir. PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. doi: 10.14264/uql.2019.957