Publications
Books
Stadler, Jane, O’Shaughnessy, Michael and Casey, Sarah (2016). Media and Society. Sixth Edition ed. Melbourne, VIC: Oxford University Press.
Stadler, Jane, Mitchell, Peta and Carleton, Stephen (2016). Imagined landscapes: geovisualizing Australian spatial narratives. Bloomington, IN, United States: Indiana University Press.
O'Shaughnessy, Michael and Stadler, Jane (2012). Media and society. 5th ed. South Melbourne, VIC, Australia: Oxford University Press.
Stadler, Jane and McWilliam, Kelly (2009). Screen media: Analysing film and television. Crows News, Australia: Allen & Unwin.
O’Shaughnessy, Michael and Stadler, Jane (2008). Media and society. 4th ed. South Melbourne, Australia: Oxford University Press.
Stadler, Jane (2008). Pulling focus: Intersubjective experience, narrative film, and ethics. New York, NY, U.S.A.: The Continuum International Publishing Group.
O’Shaughnessy, Michael and Stadler, Jane (2005). Media and society: an introduction. 3rd ed. Australia: Oxford University Press.
O’Shaughnessy, Michael and Stadler, Jane (2002). Media and Society: An Introduction. 2nd ed. Oxford: Oxford University Press: Australia.
Book Chapters
Stadler, Jane and Hawkes, Lesley (2022). Serial killer cinema and dark tourism: the affective contours of genre and place. Screen tourism and affective landscapes: the real, the virtual, and the cinematic. (pp. 158-179) London, United Kingdom: Routledge. doi: 10.4324/9781003327585-10
Champion, Erik, Lee, Christina, Stadler, Jane and Peaslee, Robert Moses (2022). Introduction. Screen Tourism and Affective Landscapes. (pp. 1-8) London, United Kingdom: Routledge. doi: 10.4324/9781003327585-1
Stadler, Jane (2022). Emotion and the Cultivation of Ethical Attention in Narrative Cinema. A Companion to Motion Pictures and Public Value. (pp. 190-208) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ United States: John Wiley & Sons. doi: 10.1002/9781119677154.ch9
Stadler, Jane (2021). Synthetic beings and synthespian ethics: embodiment technologies in science/fiction. Emotions, ethics, and cinematic experience : new phenomenological and cognitivist perspectives . (pp. 123-141) edited by Robert Sinnerbrink. New York, NY United States: Berghahn Books.
Stadler, Jane (2019). Atopian landscapes: Gothic tropes in Australian cinema. A companion to Australian cinema. (pp. 336-354) edited by Felicity Collins, Jane Landman and Susan Bye. Richmond, VIC Australia: Wiley-Blackwell.
Stadler, Jane (2017). Empathy in film. The Routledge handbook of philosophy of empathy. (pp. 317-326) edited by Heidi L. Maibom. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315282015-29
Rassell, Andrea, Robinson, Jenny, Verhagen, Darrin, Pink, Sarah, Redmond, Sean and Stadler, Jane (2016). Seeing, sensing sound: eye-tracking soundscapes in Saving Private Ryan and Monsters, Inc.. Making sense of cinema: empirical studies into film spectators and spectatorship. (pp. 139-164) edited by CarrieLynn D. Reinhard and Christopher J. Olson. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501302978.ch-008
Stadler, Jane (2015). Australian film locations. Directory of world cinema: Australian and New Zealand 2. (pp. 23-25) edited by Ben Goldsmith, Mark Ryan and Geoff Lealand. Bristol, United Kingdom: Intellect Books.
Stadler, Jane (2014). Emotion, film and. The Routledge Encyclopedia of Film Theory. (pp. 151-156) edited by Edward Branigan and Warren Buckland. Abingdon, Oxon, UK: Routledge.
Stadler, Jane (2014). Affect, film and. The Routledge Encyclopedia of Film Theory. (pp. 1-6) edited by Edward Branigan and Warren Buckland. Abingdon, Oxon, United Kingdom: Routledge.
Stadler, Jane (2013). Cinema's compassionate gaze: empathy, affect, and aesthetics in "The Diving Bell and the Butterfly". Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. (pp. 27-42) edited by Jinhee Choi and Mattias Frey. New York, NY, USA: Routledge. doi: 10.4324/9780203385661
Stadler, Jane (2012). Cultural value and viscerality in Sukiyaki Western Django: Towards a phenomenology of bad film. After taste: Cultural value and the moving image. (pp. 37-48) edited by Julia Vassilieva and Constantine Verevis. London, United Kingdom: Routledge.
Stadler, Jane (2012). Screen media violence and the socialisation of young viewers. Youth violence: sources and solutions in South Africa. (pp. 319-345) edited by Catherine L. Ward, Amelia van der Werwe and Andrew Dawes. Cape Town, South Africa: University of Cape Town Press.
Atkinson, Adam, Hopton, Tricia, Stadler, Jane and Mitchell, Peta (2011). Introduction. Evolving the field: Adaptation studies in transition. Pockets of change: Adaptation and cultural transition. (pp. xv-xxii) edited by Tricia Hopton, Adam Atkinson, Jane Stadler and Peta Mitchell. Lanham, MD, U.S.A.: Lexington Books.
Mitchell, Peta and Stadler, Jane (2011). Redrawing the map: An interdisciplinary geocritical approach to Australian cultural narratives. Geocritical explorations: Space, place, and mapping in literary and cultural studies. (pp. 47-62) edited by Robert T. Tally. New York, NY, U.S.A.: Palgrave Macmillan. doi: 10.1057/9780230337930
Deacon, Andrew, Morrison, Andrew and Stadler, Jane (2010). Multimodal production and semiotic resources for learning about film narrative. Inside multimodal composition. (pp. 221-248) edited by Andrew Morrison. Cresskill, NJ, United States: Hampton Press.
Stadler, Jane (2009). Stigma and stardom: Nelson Mandela, celebrity identification and social activism. Celebrity colonialism: Fame, power and representation in colonial and postcolonial cultures. (pp. 309-325) edited by Robert Clarke. Newcastle upon Tyne, UK: Cambridge Scholars Publishing.
Stadler, Jane (2008). The role of the media in education and poverty reduction. Education and Poverty Reduction Strategies: Issues of Policy Coherence. (pp. 231-252) edited by Simeon Maile. Cape Town, South Africa: HSRC Press.
Stadler, Jane (2008). Tsotsis, coconuts and wiggers: Black masculinity and contemporary South African media. Power, Politics and Identity in South African Media. (pp. 343-363) edited by Hadland, Adrian, Louw, Eric, Sesanti, Simphiwe and Wasserman, Herman. Cape Town, South Africa: HSRC Press.
Stadler, Jane (2006). Media and disability. Disability and Social Change: A South African Agenda. (pp. 373-386) edited by B. Watermeyer, L. Swartz, T. Lorenzo, M. Schneider and M. Priestley. South Africa: Human Sciences Research Council Press.
Stadler, Jane (2006). Miranda Green: find your talent and follow your dream. A milliner's tale : images of beauty and integrity. (pp. 96-96) edited by M. Green. Western Australia: Lionheart Publishing.
Stadler, Jane (2004). Risks and rewards: media, globalisation, and citizens of a democracy. Communication for the citizens towards a contemporary society. (pp. 181-202) Portugal: Municipality of Oeiras Europress.
Stadler, Jane (2002). Losing the Plot: Narrative Form and Ethical Identity in Lost Highway. Film and Knowledge: Essays on the Integration of Images and Ideas. (pp. 17-36) edited by Stoehr, Kevin L.. Jefferson, North Carolina: McFarland.
Journal Articles
Stadler, Jane (2020). Imitation of life: cinema and the moral imagination. Paragraph, 43 (3), 298-313. doi: 10.3366/para.2020.0342
Stadler, Jane (2019). Synthetic beings and synthespian ethics: Embodiment technologies in science/fiction. Projections, 13 (2), 123-141. doi: 10.3167/proj.2019.130207
Eder, Jens, Hanich, Julian and Stadler, Jane (2019). Media and emotion: An introduction. NECSUS, Spring 2019.
Stadler, Jane (2019). Medium specificity, iterative ethics, and algorithmic culture in the good place. Projections, 13 (3), 86-96. doi: 10.3167/proj.2019.130306
Stadler, Jane (2018). Cinesonic imagination: the somatic, the sonorous, and the synaesthetic. Cinephile, 12 (1), 8-15.
Stadler, Jane (2018). ‘Mind the Gap’: between movies and mind, affective neuroscience and the philosophy of film. Projections: Journal of Movies and Mind, 12 (2), 86-94. doi: 10.3167/proj.2018.120211
Stadler, Jane (2017). The empath and the psychopath: ethics, imagination, and intercorporeality in Bryan Fuller’s Hannibal. Film-Philosophy, 21 (3), 410-427. doi: 10.3366/film.2017.0058
Nguyen, Vinh Thai, Sonkusare, Saurabh, Stadler, Jane, Hu, Xintao, Breakspear, Michael and Guo, Christine Cong (2016). Distinct cerebellar contributions to cognitive-perceptual dynamics during natural viewing. Cerebral Cortex, 27 (12), 5652-5662. doi: 10.1093/cercor/bhw334
Stadler, Jane (2016). Experiential realism and motion pictures: a neurophenomenological approach. Studia Phænomenologica, XVI, 439-465. doi: 10.5840/studphaen20161616
Stadler, Jane (2015). Conceptualizing and Mapping Geocultural Space. International Journal of Humanities and Arts Computing, 9 (2), 133-141. doi: 10.3366/ijhac.2015.0145
Robinson, Jennifer, Stadler, Jane and Rassell, Andrea (2015). Sound and sight: an exploratory look at Saving Private Ryan through the eye-tracking lens. Refractory: Journal of Entertainment Media, 25.
Stadler, Jane (2013). Affectless empathy, embodied imagination, and "The Killer Inside Me". Screening the Past, 37.
Stadler, Jane (2013). New Philosophies of Film: Thinking Images. Robert Sinnerbrink. British Journal of Aesthetics, 53 (1), 131-133. doi: 10.1093/aesthj/ays025
Stadler, Jane (2012). Seeing with green eyes: Tasmanian landscape cinema and the ecological gaze. Senses of Cinema, 65.
Stadler, Jane (2012). Mapping the cinematic journey of Alexander Pearce, cannibal convict. Screening the Past, 34.
Stadler, Jane (2011). Oreos, Topdeck and Eminem: Hybrid identities and global media flows. International Journal of Cultural Studies, 14 (2), 153-172. doi: 10.1177/1367877910387971
Stadler, Jane (2011). Review essay: Phenomenology goes to the movies. Projections (New York): The journal for movies and mind, 5 (1), 87-101. doi: 10.3167/proj.2011.050107
Stadler, Jane and Mitchell, Peta (2010). Never-Never Land: Affective landscapes, the touristic gaze and heterotopic space in Australia. Studies in Australasian Cinema, 4 (2), 173-187. doi: 10.1386/sac.4.2.173_1
Stadler, Jane (2010). Cultural value and viscerality in Sukiyaki Western Django: Towards a phenomenology of bad film. Continuum, 24 (5), 679-691. doi: 10.1080/10304312.2010.505334
Mitchell, Peta and Stadler, Jane (2010). Imaginative cinematic geographies of Australia: The mapped view in Charles Chauvel's Jedda and Baz Luhrmann's Australia. Historical Geography, 38 (SPEC. ISSUE), 26-51.
Stadler, Jane (2009). The proposition: The outback landscape and 'negative spaces' in Australia's colonial history. Metro, 163, 68-73.
Stadler, Jane (2009). Tourism and the branded city: Film and identity on the Pacific Rim. Continuum, 23 (5), 752-754.
Stadler, Jane (2007). Becoming the Other: Multiculturalism in Joss Whedon’s Angel. FlowTV, 7 (4).
Deacon, Andrew E., Morrison, Andrew and Stadler, Jane (2005). Designing for learning through multimodal production: film narrative and spectatorship in Director’s Cut. International Journal of Education and Development Using Information and Communication Technology, 1 (1), 72-89.
Stadler, Jane (2004). AIDS ads: Make a commercial, make a difference? Corporate social responsibility and the media. Continuum: Journal of Media and Cultural Studies, 18 (4), 591-610. doi: 10.1080/1030431042000297699
Stadler, Jane (2003). Narrative, understanding and identification in ‘Steps for the Future’ HIV/AIDS documentaries. Visual Anthropology Review, 19 (1-2), 86-101. doi: 10.1525/var.2003.19.1-2.86
Stadler, Jane (2002). Intersubjective, embodied, evaluative perception: a phenomenological approach to the ethics of film. Quarterly Review of Film and Video, 19 (3), 237-248. doi: 10.1080/10509200214843
Conference Papers
Stadler, Jane (2017). Words as weapons: Foul language, free expression, and the media. The American Society of Geolinguistics International Conference on Language and the Media, Baruch College of The city University of New York, New York, USA, 5-6 September 2014. New York, New York, United States: Cummings & Hathaway.
Morrison, Andrew, Deacon, Andrew and Stadler, Jane (2005). Designs for learning about film spectatorship. Nordic Design Research Conference: In the Making, Copenhagen, Denmark, 29–31 May 2005. Kista, Sweden: Interactive Institute.
Data Collection
Stadler, Jane, Mitchell, Peta and Carleton, Stephen (2014). A cultural atlas of Australia: mediated spaces in film, literature, and theatre. The University of Queensland. (Collection) doi: 10.14264/uql.2016.839
Creative Work
Stadler, Jane, Mitchell, Peta and Carleton, Stephen (2011). Cultural atlas of Australia. St Lucia, QLD, Australia: The University of Queensland.
Research Report
MacDougall, Kathleen, Swartz, Leslie, Stadler, Jane and Schneider, Maggie (2004). Nothing without us: Disability inclusion in the South African Mass Media. Child, Youth and Family Development, Human Sciences Research Council..