Logan, Elliott Breaking Bad and dignity: unity and fragmentation in the serial television drama. London, United Kingdom: Palgrave Macmillan, 2016. doi:10.1057/9781137513731
Logan, Elliott (2013). Flashforwards in Breaking Bad: openness, closure and possibility. In Jason Jacobs and Steven Peacock (Ed.), Television aesthetics and style (pp. 219-226) New York, NY, United States: Bloomsbury Academic.
Logan, Elliott (2016) 'Quality television' as a critical obstacle: explanation and aesthetics in television studies. Screen, 57 2: 144-162. doi:10.1093/screen/hjw020
Logan, Elliott (2015) How Do We Write About Performance in Serial Television?. Series: International Journal of TV Serial Narratives, 1 1: 27-38. doi:10.6092/issn.2421-454X/5112
Logan, Elliott (2014) The ending of Mad Men's fifth season: cinema, serial television, and moments of performance. Critical Studies in Television, 9 3: 44-53. doi:10.7227/CST.9.3.5
Logan, Elliott (2013) Forget fact or fiction: a review of "Zero Dark Thirty," directed by Kathryn Bigelow. Screen Machine, 1 4: .
Logan, Elliott (2011) Looking past seeing: Imaginative space and empathetic engagement in The Treasure of the Sierra Madre and There Will Be Blood. Refractory: A Journal of Entertainment Media, 18 1-9.
Logan, Elliott (2013). Breaking Bad and dignity: Possibilities of character in the television fiction series MPhil Thesis, School of English, Media Studies and Art History, The University of Queensland.