Book
Logan, Elliott (2016). Breaking Bad and dignity: unity and fragmentation in the serial television drama. London, United Kingdom: Palgrave Macmillan. doi: 10.1057/9781137513731
Book Chapters
Logan, Elliott (2019). Faces of Allegiance in Homeland: Performance and the Provisional in Serial Drama. Television Performance. (pp. 84-100) edited by Lucy Fife Donaldson and James Walters. London, United Kingdom: Red Globe Press.
Logan, Elliott (2013). Unacceptability and prosaic life in Breaking Bad. The Unacceptable. (pp. 156-167) edited by John Potts and John Scannell. Houndmills, Hampshire, United Kingdom: Palgrave Macmillan. doi: 10.1057/9781137014573
Logan, Elliott (2013). Flashforwards in Breaking Bad: openness, closure and possibility. Television aesthetics and style. (pp. 219-226) edited by Jason Jacobs and Steven Peacock. New York, NY, United States: Bloomsbury Academic.
Journal Articles
Logan, Elliott (2017). Making over mise-en-scène. Projections (New York): the journal for movies and mind, 11 (1), 121-132. doi: 10.3167/proj.2017.110108
Logan, Elliott (2017). Depths of black in The Night of the Hunter. New Review of Film and Television Studies, 15 (1), 1-13. doi: 10.1080/17400309.2017.1265424
Logan, Elliott (2016). 'Quality television' as a critical obstacle: explanation and aesthetics in television studies. Screen, 57 (2), 144-162. doi: 10.1093/screen/hjw020
Logan, Elliott (2015). How Do We Write About Performance in Serial Television?. Series: International Journal of TV Serial Narratives, 1 (1), 27-38. doi: 10.6092/issn.2421-454X/5112
Logan, Elliott (2014). The ending of Mad Men's fifth season: cinema, serial television, and moments of performance. Critical Studies in Television, 9 (3), 44-53. doi: 10.7227/CST.9.3.5
Logan, Elliott (2013). Forget fact or fiction: a review of "Zero Dark Thirty," directed by Kathryn Bigelow. Screen Machine, 1 (4).
Logan, Elliott (2013). The weight of inheritance. Screen Machine (5)
Logan, Elliott (2012). A moment, against the turning of the earth. Screen Machine (3).
Logan, Elliott (2012). Ghostly presence. Screen Machine (2)
Logan, Elliott (2012). Capturing optimism in the world on film. Screen Machine (1)
Logan, Elliott (2011). Looking past seeing: Imaginative space and empathetic engagement in The Treasure of the Sierra Madre and There Will Be Blood. Refractory: A Journal of Entertainment Media, 18, 1-9.
Theses
Logan, Elliott (2019). The presence of performance and the stakes of serial drama: accrual, transience, companionship. PhD Thesis, School of Communication and Arts, The University of Queensland. doi: 10.14264/uql.2019.434
Logan, Elliott (2013). Breaking Bad and dignity: Possibilities of character in the television fiction series. MPhil Thesis, School of English, Media Studies and Art History, The University of Queensland.