Dr Ted Nannicelli
Lecturer
School of Communication and Arts
+61 7 336 54748
Books
Nannicelli, Ted Appreciating the art of television: a philosophical perspective. New York, United States: Taylor and Francis, 2017. doi:10.4324/9781315732633
Nannicelli, Ted A Philosophy of the screenplay. New York: Routledge, 2013. doi:10.4324/9780203069103
Book Chapters
Nannicelli, Ted (2016). Screenplays. In Nöel Carroll and John Gibson (Ed.), The Routledge Companion to Philosophy of Literature (pp. 127-136) New York, NY, New York: Routledge.
Nannicelli, Ted and Taberham, Paul (2014). Introduction: Contemporary cognitive media theory. In Cognitive Media Theory (pp. 1-24) : Taylor and Francis. doi:10.4324/9780203098226
Nannicelli, Ted (2014). Cognitive film theory. In Krin Gabbard (Ed.), Oxford bibliographies: cinema and media studies (pp. 1-2) Oxford, United Kingdom: Oxford University Press. doi:10.1093/OBO/9780199791286-0142
Nannicelli, Ted and Taberham, Paul (2014). Introduction: contemporary cognitive media theory. In Ted Nannicelli and Paul Taberham (Ed.), Cognitive media theory (pp. 1-23) New York, United States: Routledge.
Nannicelli, Ted (2014). Formalist theories of film. In Edward Branigan and Warren Buckland (Ed.), The Routledge Encyclopedia of Film Theory (pp. 214-219) Abingdon, Oxon, United Kingdom: Routledge.
Nannicelli, Ted (2009). It's all connected: televisual narrative complexity. In Tiffany Potter and C. W. Marshall (Ed.), The Wire: urban decay and American television (pp. 190-202) London, United Kingdom: Continuum.
Journal Articles
Nannicelli, Ted (2019) Aesthetics and the limits of the extended mind. British Journal of Aesthetics, 59 1: 81-94. doi:10.1093/aesthj/ayy048
Nannicelli, Ted (2019) From the editor. Projections, 13 1: v-vii. doi:10.3167/proj.2019.130101
Shields, Kirril, Nannicelli, Ted and Theriault, Henry (2018) Denial: David Irving, and the complexities of representing a Holocaust denier. Genocide Studies and Prevention, 12 3: 40-51. doi:10.5038/1911-9933.12.3.1573
Nannicelli, Ted (2018) The interaction of ethics and aesthetics in environmental art. The Journal of Aesthetics and Art Criticism, 76 4: 497-506. doi:10.1111/jaac.12601
Nannicelli, Ted (2018) Animals, ethics, and the art world. October, 164 113-132. doi:10.1162/octo_a_00325
Nannicelli, Ted (2017) Ethical criticism and the interpretation of art. Journal of Aesthetics and Art Criticism, 75 4: 401-413. doi:10.1111/jaac.12395
Nannicelli, Ted (2017) Ethical criticism and the interpretation of art. Journal of Aesthetics and Art Criticism, 75 4: 401-413. doi:10.1111/jaac.12395
Nannicelli, Ted (2017) Instances of cinema. Projections, 11 1: 1-15. doi:10.3167/proj.2017.110102
Nannicelli, Ted and Turvey, Malcolm (2016) Against 'Post-Cinema'. Cinéma et Cie, 26/27 33-44.
Nannicelli, Ted (2016) In defence of the objectivity of evaluative television criticism. Screen, 57 2: 124-143. doi:10.1093/screen/hjw017
Nannicelli, Ted (2014) The naturalist theatrical aesthetic of bottle episodes. Critical Studies in Television, 9 3: 54-64. doi:10.7227/CST.9.3.6
Nannicelli, Ted (2014) Moderate comic immoralism and the genetic approach to the ethical criticism of art. Journal of Aesthetics and Art Criticism, 72 2: 169-179. doi:10.1111/jaac.12072
Nannicelli, Ted (2014) Review of Psychocinematics: Exploring Cognition at the Movies. Projections, 8 1: 126-134. doi:10.3167/proj.2014.080108
Nannicelli, Ted (2013) The ontology and literary status of the screenplay: the case of "Scriptfic". Journal of Literary Theory, 13 1-2: 135-153. doi:10.1515/jlt-2013-0006
Nannicelli, Ted (2013) Lisa Zunshine, Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture. Projections, 7 2: 132-137. doi:10.3167/proj.2013.070207
Nannicelli, Ted (2012) The Routledge Companion to Philosophy and Film. International Journal of Philosophical Studies, 20 5: 763-766. doi:10.1080/09672559.2012.741824
Nannicelli, Ted (2012) New Takes in Film-Philosophy, edited by havi carel and greg tuck,y. New York: Palgrave Macmillan, 2011. Journal of Aesthetics and Art Criticism, 70 3: 326-328. doi:10.1111/j.1540-6245.2012.01523_6.x
Nannicelli, Ted (2012) Report on the Harry Ransom Center. Journal of Screenwriting, 3 2: 247-248. doi:10.1386/josc.3.2.247_7
Nannicelli, Ted (2012) The Adventure of the Real: Jean Rouch and the craft of ethnographic cinema, by Paul Henley (2009). Studies in Documentary Film, 6 1: 112-114.
Nannicelli, Ted (2012) Hollywood Incoherent by Todd Berliner. British Journal of Aesthetics, 52 3: 317-320. doi:10.1093/aesthj/ayr054
Nannicelli, Ted (2012) Ontology, Intentionality, and Television Aesthetics.. Screen, 53 2: 164-179. doi:10.1093/screen/hjs004
Nannicelli, Ted (2011) Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.. British Journal of Aesthetics, 51 4: 399-414. doi:10.1093/aesthj/ayr029
Nannicelli, Ted (2011) Why Can't Screenplays Be Artworks?. Journal of Aesthetics and Art Criticism, 69 4: 405-414. doi:10.1111/j.1540-6245.2011.01484.x
Nannicelli, Ted (2010) The Early Screenwriting Practice of Ernest Lehman. Journal of Screenwriting, 1 2: 399-414. doi:10.1386/josc.1.2.237/1
Nannicelli, Ted (2007) Luis Bunuel's Land Without Bread: the critics and the contexts. Studies in Documentary Film, 1 2: 137-150. doi:10.1386/sdf.1.2.137_1
Nannicelli, Ted (2006) From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar. Visual Anthropology, 19 2: 123-143. doi:10.1080/08949460600596558