Skip to menu Skip to content Skip to footer
The University of Queensland
  • Study
  • Research
  • Partners and community
  • About
School of Communication and Arts
  • Home
  • About
    • About
    • Events
    • News
    • Our People
    • Media and Production Support
  • Study
    • Study
    • Study Areas
    • Undergraduate
    • Honours
    • Postgraduate
    • Higher Degree Research
    • Scholarships and Prizes
  • Research
    • Research
    • Research at our School
    • Seminar and Workshop Series
    • Publications
    • Summer/Winter Research Scholarship Program
    • Visiting Fellowships and Visiting Academics
    • Our centres and partners
  • Community
    • Community
    • 100 Years of UQ Journalism
    • The Tom O’Regan Memorial Fellowship
    • Get Involved
  • Current Students
    • Current Students
    • Assessment
    • Prepare for your career
    • Student Support
    • Internships and Fieldtrips
  • Contact
  • Study
  • Research
  • Partners and community
  • About
  • UQ home
  • News
  • Events
  • Give
  • Contact
  • UQ home
  • News
  • Events
  • Give
  • Contact
School of Communication and Arts
  • Home
  • About
    • Events
    • News
    • Our People
    • Media and Production Support
  • Study
    • Study Areas
    • Undergraduate
    • Honours
    • Postgraduate
    • Higher Degree Research
    • Scholarships and Prizes
  • Research
    • Research at our School
    • Seminar and Workshop Series
    • Publications
    • Summer/Winter Research Scholarship Program
    • Visiting Fellowships and Visiting Academics
    • Our centres and partners
  • Community
    • 100 Years of UQ Journalism
    • The Tom O’Regan Memorial Fellowship
    • Get Involved
  • Current Students
    • Assessment
    • Prepare for your career
    • Student Support
    • Internships and Fieldtrips
  • Contact

Associate Professor Ted Nannicelli

Director T&L
Associate Professor
School of Communication and Arts
+61 7 336 54748
t.nannicelli@uq.edu.au
View researcher profile

Publications

Books (3)
Book Chapters (14)
Journal Articles (29)

Books

Nannicelli, Ted (2020). Artistic creation and ethical criticism. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oso/9780197507247.001.0001
Nannicelli, Ted (2017). Appreciating the art of television: a philosophical perspective. New York, United States: Taylor and Francis. doi: 10.4324/9781315732633
Nannicelli, Ted (2013). A Philosophy of the screenplay. New York: Routledge. doi: 10.4324/9780203069103

Book Chapters

Nannicelli, Ted (2022). Film Production and Ethical Criticism. A Companion to Motion Pictures and Public Value. (pp. 171-189) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ, United States: Wiley-Blackwell Publishing.
Nannicelli, Ted and Pérez, Héctor J. (2022). Introduction: Cognition, emotion, and aesthetics in contemporary serial television. Cognition, emotion, and aesthetics in contemporary serial television contemporary serial television. (pp. 1-24) Abingdon, Oxon United Kingdom: Routledge.
Hjort, Mette and Nannicelli, Ted (2022). A Companion to Motion Pictures and Public Value: General Introduction. A Companion to Motion Pictures and Public Value. (pp. 1-21) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ, United States: Wiley-Blackwell Publishing.
García, Alberto N. and Nannicelli, Ted (2022). Television's temporality: seriality and temporal prolongation. Cognition, emotion, and aesthetics in contemporary serial television. (pp. 27-46) edited by Ted Nannicelli and Héctor J. Pérez. Abingdon, Oxon United Kingdom: Routledge. doi: 10.4324/9781003188643-3
Nannicelli, Ted (2021). Interactive documentary, narrative scepticism, and the values of documentary film. Truth in visual media: aesthetics, ethics and politics. (pp. 167-188) edited by Marguerite La Caze and Ted Nannicelli. Edinburgh, Sotland: Edinburgh University Press.
La Caze, Marguerite and Nannicelli, Ted (2021). Introduction. Truth in visual media: aesthetics, ethics and politics. (pp. 1-11) Edinburgh, United Kingdom: Edinburgh University Press.
Nannicelli, Ted (2019). What is a screenplay?. The Palgrave handbook of the philosophy of film and motion pictures. (pp. 215-234) edited by Noël Carroll, Laura T. Di Summa and Shawn Loht. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-19601-1_10
Nannicelli, Ted (2019). The television medium. The Palgrave handbook of the philosophy of film and motion pictures. (pp. 949-970) Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-19601-1_40
Nannicelli, Ted (2018). Cognitivism. The craft of criticism: critical media studies in practice. (pp. 157-168) edited by Michael Kackman and Mary Celeste Kearney. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315879970-14
Nannicelli, Ted (2016). Screenplays. The Routledge Companion to Philosophy of Literature. (pp. 127-136) edited by Nöel Carroll and John Gibson. New York, NY, New York: Routledge. doi: 10.4324/9781315708935-11
Nannicelli, Ted and Taberham, Paul (2014). Introduction: contemporary cognitive media theory. Cognitive media theory. (pp. 1-23) edited by Ted Nannicelli and Paul Taberham. New York, NY, United States: Routledge. doi: 10.4324/9780203098226
Nannicelli, Ted (2014). Cognitive film theory. Oxford bibliographies: cinema and media studies. (pp. 1-2) edited by Krin Gabbard. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/OBO/9780199791286-0142
Nannicelli, Ted (2014). Formalist theories of film. The Routledge Encyclopedia of Film Theory. (pp. 214-219) edited by Edward Branigan and Warren Buckland. Abingdon, Oxon, United Kingdom: Routledge.
Nannicelli, Ted (2009). It's all connected: televisual narrative complexity. The Wire: urban decay and American television. (pp. 190-202) edited by Tiffany Potter and C. W. Marshall. London, United Kingdom: Continuum.

Journal Articles

Nannicelli, Ted (2022). How to Do (Im)moral Things with Artworks: Commentary on James Harold’s Dangerous Art. The British Journal of Aesthetics, 62 (4), 549-558. doi: 10.1093/aesthj/ayac012
Nannicelli, Ted (2022). In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold. The British Journal of Aesthetics, 62 (4), 567-576. doi: 10.1093/aesthj/ayac031
García Martínez, Alberto Nahum and Nannicelli, Ted (2021). Otro tipo de recompensa narrativa: el concepto de “prolongación temporal” como superación de la serialidad televisiva. Área Abierta, 21 (3), 349-365. doi: 10.5209/arab.75200
Nannicelli, Ted (2019). Review of Aesthetic Evaluation and Film. The British Journal of Aesthetics, 60 (3), 362-364. doi: 10.1093/aesthj/ayz046
Nannicelli, Ted (2019). Aesthetics and the limits of the extended mind. British Journal of Aesthetics, 59 (1), 81-94. doi: 10.1093/aesthj/ayy048
Nannicelli, Ted (2019). From the editor. Projections, 13 (1), v-vii. doi: 10.3167/proj.2019.130101
Shields, Kirril, Nannicelli, Ted and Theriault, Henry (2018). Denial: David Irving, and the complexities of representing a Holocaust denier. Genocide Studies and Prevention, 12 (3), 40-51. doi: 10.5038/1911-9933.12.3.1573
Nannicelli, Ted (2018). The interaction of ethics and aesthetics in environmental art. The Journal of Aesthetics and Art Criticism, 76 (4), 497-506. doi: 10.1111/jaac.12601
Nannicelli, Ted (2018). Animals, ethics, and the art world. October, 164, 113-132. doi: 10.1162/octo_a_00325
Nannicelli, Ted (2017). Ethical criticism and the interpretation of art. Journal of Aesthetics and Art Criticism, 75 (4), 401-413. doi: 10.1111/jaac.12395
Nannicelli, Ted (2017). Instances of cinema. Projections, 11 (1), 1-15. doi: 10.3167/proj.2017.110102
Nannicelli, Ted and Turvey, Malcolm (2016). Against Post-cinema. Cinéma et Cie, 26/27, 33-44.
Nannicelli, Ted (2016). In defence of the objectivity of evaluative television criticism. Screen, 57 (2), 124-143. doi: 10.1093/screen/hjw017
Nannicelli, Ted (2014). The naturalist theatrical aesthetic of bottle episodes. Critical Studies in Television, 9 (3), 54-64. doi: 10.7227/CST.9.3.6
Nannicelli, Ted (2014). Moderate comic immoralism and the genetic approach to the ethical criticism of art. Journal of Aesthetics and Art Criticism, 72 (2), 169-179. doi: 10.1111/jaac.12072
Nannicelli, Ted (2014). Review of Psychocinematics: Exploring Cognition at the Movies. Projections, 8 (1), 126-134. doi: 10.3167/proj.2014.080108
Nannicelli, Ted (2013). The ontology and literary status of the screenplay: the case of "Scriptfic". Journal of Literary Theory, 13 (1-2), 135-153. doi: 10.1515/jlt-2013-0006
Nannicelli, Ted (2013). Lisa Zunshine, Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture. Projections, 7 (2), 132-137. doi: 10.3167/proj.2013.070207
Nannicelli, Ted (2012). Report on the Harry Ransom Center. Journal of Screenwriting, 3 (2), 247-248. doi: 10.1386/josc.3.2.247_7
Nannicelli, Ted (2012). The Adventure of the Real: Jean Rouch and the craft of ethnographic cinema, by Paul Henley (2009). Studies in Documentary Film, 6 (1), 112-114.
Nannicelli, Ted (2012). The Routledge Companion to Philosophy and Film. International Journal of Philosophical Studies, 20 (5), 763-766. doi: 10.1080/09672559.2012.741824
Nannicelli, Ted (2012). Hollywood Incoherent by Todd Berliner. British Journal of Aesthetics, 52 (3), 317-320. doi: 10.1093/aesthj/ayr054
Nannicelli, Ted (2012). New Takes in Film-Philosophy, edited by havi carel and greg tuck,y. New York: Palgrave Macmillan, 2011. Journal of Aesthetics and Art Criticism, 70 (3), 326-328. doi: 10.1111/j.1540-6245.2012.01523_6.x
Nannicelli, Ted (2012). Ontology, Intentionality, and Television Aesthetics.. Screen, 53 (2), 164-179. doi: 10.1093/screen/hjs004
Nannicelli, Ted (2011). Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.. British Journal of Aesthetics, 51 (4), 399-414. doi: 10.1093/aesthj/ayr029
Nannicelli, Ted (2011). Why Can't Screenplays Be Artworks?. Journal of Aesthetics and Art Criticism, 69 (4), 405-414. doi: 10.1111/j.1540-6245.2011.01484.x
Nannicelli, Ted (2010). The Early Screenwriting Practice of Ernest Lehman. Journal of Screenwriting, 1 (2), 399-414. doi: 10.1386/josc.1.2.237/1
Nannicelli, Ted (2007). Luis Bunuel's Land Without Bread: the critics and the contexts. Studies in Documentary Film, 1 (2), 137-150. doi: 10.1386/sdf.1.2.137_1
Nannicelli, Ted (2006). From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar. Visual Anthropology, 19 (2), 123-143. doi: 10.1080/08949460600596558

Areas of research

Film and Television Studies
Media and Cultural Studies
Australian Aboriginal Flag Torres Strait Islander Flag UQ acknowledges the Traditional Owners and their custodianship of the lands on which UQ is situated. — Reconciliation at UQ
  • Media

    • Media team contacts
    • Find a subject matter expert
    • UQ news
  • Working at UQ

    • Current staff
    • Careers at UQ
    • Strategic plan
    • Staff support
    • IT support for staff
  • Current students

    • my.UQ
    • Programs and courses
    • Key dates
    • Student support
    • IT support for students
  • Library

    • Library
    • Locations and hours
    • Library services
    • Research tools
  • Contact

    • Contact UQ
    • Find a researcher
    • Faculties, schools, institutes and centres
    • Divisions and departments
    • Campuses, maps and transport
    • Media team contacts
    • Find a subject matter expert
    • UQ news
    • Current staff
    • Careers at UQ
    • Strategic plan
    • Staff support
    • IT support for staff
    • my.UQ
    • Programs and courses
    • Key dates
    • Student support
    • IT support for students
    • Library
    • Locations and hours
    • Library services
    • Research tools
    • Contact UQ
    • Find a researcher
    • Faculties, schools, institutes and centres
    • Divisions and departments
    • Campuses, maps and transport
Web login
  • © The University of Queensland
  • ABN: 63 942 912 684
  • CRICOS: 00025B
  • TEQSA: PRV12080
  • Privacy and terms of use
  • Accessibility
  • Right to information
  • Feedback