The dramatic tradition suggests, for the most part, a progressive relationship between author, performer, producer and audience, in which the author/s originates the playtext, the performers develop a production, and the producer presents the outcome to the public. The arrival of theatrical performance and the fine art exhibition on cinema screens worldwide, the phenomenon of ‘live relay’ or the ‘as live broadcast’ in the arts, challenges this familiar perception of the author/production/audience relationship. The emergence of the ‘livecast’ (Martin) – the term remains unsettled – has modulated the once-traditional dramaturgical interaction between text, production, and audience. The ‘live relay’ tests the very way we think about theatre and performance. With its destabilization of production and audience spatio-temporal locators, the ‘live relay’ disrupts the vocabulary of theatrical description and it inflects both ontological and epistemological attitudes to the theatre-viewing of the past, the theatre-making of the present, and the interactions thereof. The live relay, moreover, causes disturbances within what can be considered the authorial field.

If postdramatic theatre shifts the dramaturgical valency from playwright as creative genius to director as auteur, then the mediaturgy of the ‘live relay’ renders both of these models redundant. The self-evident transmediality and intermediality of the ‘live relay’ has led to the expansion of availability achieved for audiences far and wide, with inescapable implication for the democratization of the work. But this egalitarianism comes with oligarchical and indeed plutocratic hints and overtones. These are overtones that, in turn, inflect notions of both authorship and creative authority. This paper examines the proposition that the livecast, being both inherently postdramatic and situated within the paradigm of new dramaturgy, has given rise to new authorial voices, those of the cinematic director and the institution. These are voices that need to be accommodated within the mediated and intermedial paradigm of the live relay. 

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Following the lecture, please join us for drinks at St Lucy's.


Bio: Bernadette Cochrane is the Drama Convenor at the University of Queensland. Recent publications include New Dramaturgy: International Perspectives on Theory and Practice (Methuen Drama, co-edited with Katalin Trencsényi) and “Screening from the Met, the NT, or the House: what changes with the live relay”. Theatre to Screen. Spec. issue of Adaptation, July 2014 (with Frances Bonner).  Forthcoming publications include “Secret River: the limits of translation?” and “Wires, Strings, and Pipes: Automatous Perceptions of Hermione”.  Bernadette is currently working on a collection for the Translation, Adaptation, and Dramaturgy Working Group of the International Federation of Theatre Research.  She is the Australian Regional Managing Editor for The Theatre Times.

About Research Seminar and Workshop Series

 


School of Communication and Arts Research Seminar Series

The research seminar and workshop series occur each semester, each with a different topic and guest speaker from UQ or otherwise.

Friday, 5 March
12-1pm

Online via Zoom

Research Seminar - What Has Streaming Done to Television? Platform Interfaces and Contemporary Viewing Dr Elliott Logan

Friday, 5 March
12-1pm

Online via Zoom

Research Seminar - Building cultural citizenship through drama: A study of The Community Theatre in Singapore Dr Natalie Lazaroo

Friday, 23 April
12-1pm

Online via Zoom

Research Seminar - Passing as White (Collar): Jim Crow’s Typewriter and the Harlem Renaissance Dr Tamlyn Avery

Friday, 7 May
12-1pm

Online via Zoom

Research Seminar - HDR Roundtable: Ethical or exploitative? The representation of violence and trauma in literature and screen media  Bonnie Evans, Taryn Bashford, Jasmine Sandes, Meg Vann

Friday, 21 May
12-1pm

Online via Zoom

Research Seminar - Converging Professions or Practices? Shifting Dynamics in a Digital Communication World Toning Down the Antagonism Between Communication and Journalism Dr Franzisca Weder

Friday, 4 June
12-1pm

Online via Zoom

Research Seminar - Facilitating co-innovation towards sustainable livestock systems in Timor Leste – pulling out all the (communication) stops A/Prof Elske van de Fliert

Friday, 18 June
12-1pm

Online via Zoom

Research Seminar -  Holograms and (Dis) Embodied Intimacy in an Era of Ubiquitous Computing Dr Samantha Lindop

Friday, 6 August
1-2pm

Online via Zoom

Research Seminar - All Scripts are Adaptations? Michael Eaton MBE

Friday, 27 August
12-1pm

Online via Zoom

Research Seminar - Chilling Effect: The law, lawyers, journalists, and editorial processes Dr Richard Murray

Friday, 10 September
12-1pm

Online via Zoom

Research Seminar - Mrs America’s Prosthetic Feminist Memory: The ‘Discovery’ of a Cool Feminism for Postfeminist Times Dr Marg Henderson and Dr Anthea Taylor (USyd)

Friday, 24 September
1-2pm

Online via Zoom

In coversation with Laura Elvery A/Prof Stephen Carleton

 

Venue

Level 6, Michie Building (#9)
Room: 
601