Historical Moods in Film

Presented by Dr Robert Sinnerbrink (Macquarie University)

Date: 10 November, 2017
Time: 3pm-4pm
Location: Room 601, Michie Building (#9)

Abstract:

Although discussions of spectatorship within film theory focus on emotion and affect, the topic of mood has recently attracted interest from theorists concerned with understanding emotional engagement with narrative film. Drawing on phenomenological and cognitivist approaches, most theorists approach mood either as a subjective phenomenon, expressing the spectator’s affective response to a film, or as an aesthetic element, expressive of a film’s artistic features. Mood need not confined, however, to subjective or aesthetic forms of expression; rather, it can also disclose historical and cultural dimensions of memory, sensibility, and time. This point was acknowledged within German Romanticism and romantic hermeneutics, which elaborated the relationship between aesthetic experience and historical understanding in ways that can enrich our understanding of cinema today.

My presentation explores the concept of historical mood in narrative film, and considers its value for the philosophy of film. I examine how it becomes manifest in different kinds of films: those with historical settings expressing explicit forms of historical sensibility as part of their fictional world; genre films which evoke historically particular kinds of mood in creating generically distinctive kinds of cinematic world; and films that implicitly express moods that can be recognised retrospectively as expressions of their particular historical milieus. Exploring the concept of historical moods, I argue, can enrich our understanding of the relationship between emotional engagement, aesthetic expression, and trans-historical experience as communicated through narrative film.

 

Presenter:

Robert Sinnerbrink is Australian Research Council Future Fellow and Senior Lecturer in Philosophy at Macquarie University, Sydney. He is the author of Cinematic Ethics: Exploring Ethical Experience through Film (Routledge, 2016), New Philosophies of Film: Thinking Images (Continuum, 2011), Understanding Hegelianism (Acumen, 2007), and is a member of the editorial board of the journal Film-Philosophy. He has published numerous articles on the relationship between film and philosophy in journals such as Angelaki, Film-Philosophy, Necsus: European Journal of Media Studies, Screen, and Screening the Past. He is completing a co-authored book (with Lisa Trahair and Gregory Flaxman), entitled Understanding Cinematic Thinking: Bresson, von Trier, and Haneke (Edinburgh University Press, 2018) and working on another, entitled Terrence Malick: Filmmaker and Philosopher (Bloomsbury).

Dr Robert Sinnerbrink

 

About Research Seminar and Workshop Series

 


The research seminar and workshop series' occur each semester, each with a different topic and guest speaker from UQ or otherwise.

Unless otherwise advertised, the seminars occur on a Friday afternoon from 3-4 pm in the Digital Learning Space (Room 224) in the Joyce Ackroyd Building (#37).

Semester 2, 2019 Seminars & Workshops

 

Friday, 26 July
3-4pm

School Forum

 

Friday, 2 August
3-4pm

Who Owns Your Face? Personal Identity Rights in the Era of Augmented Reality and Facial Recognition Technology

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Gordon Finlayson

Friday, 16 August
3-5 pm
 

3:00pm-4:00pm (Panel)

4:00pm- onwards (CAPS launch event)

CommArts Postgraduate Society Panel: “How to Write a Journal Article and Target the Right Journals”

CommArts Postgraduate Society Launch/ new HDR student welcome

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Angela Hannan (SCA Librarian)

Dr Elena Danilova (Scholarly Publishing, Library)

Dr Ted Nannicelli (Editor, Projections: The Journal for Movies and Mind)

Associate Professor Kelly Fielding (Communication scholar)

Dr Jennifer Clement (Literary Studies scholar)

Associate Professor Pradip Thomas (Communications, Media and Cultural Studies scholar)
Friday, 23 August
3-5 pm

All in One Quire: Emotional Communities in John Donne's Easter Sermons

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Jennifer Clement

Friday, 6 September
3-4pm

Examining intergenerational cultural transmission in refugee families: A study of Congolese, Burmese, and Ethiopian refugee families resettled in Australia

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Aparna Hebbani and Mairead MacKinnon

Friday, 13 September
3-4pm

CANCELLED

AustLit and BlackWords—Platforms for Storying Research

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Kerry Kilner and The AustLit Team

Friday, 27 September
3-4pm

Centre for Critical and Creative Writing Hosted Roundtable: The State of Australian Arts Criticism

The Geoffrey Rush Drama Studio

 

Dr Stephen Carleton with panellists Miriam Cosic, Alison Croggon, Carissa Lee and Kathryn Kelly
Friday, 4 October
3-4pm

Enacting a Sense of Home Among Older Chinese Migrants in Australia

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

A/Prof Shuang Liu
Friday, 11 October
3-4pm

Selfies, Affordances, and Situational Properties

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Katrin Tiidenberg, Tallinn University

Friday, 18 October
3-4pm

To Not Die of History

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Cherry Smyth

Friday, 25 October
3-4pm

POSTPONED UNTIL 2020 - TBA

Why Paintings Matter: Filming Bruegel’s Hunters in the Snow (1565)

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Andrea Bubenik

 

Venue

Level 6, Michie Building (#9)
Room: 
601