Hotel October: The Deaths and Dates of Jacques Derrida and Walter Benjamin

Presented by Professor John Schad (Department of English Literature and Creative Writing, Lancaster University)

Date: 18 August, 2017
Time: 3pm-4pm
Location: Room 601, Michie Building (#9)

Abstract:

‘Hotel October’ explores Jacques Derrida’s fascination with dates and how that fascination reveals a secret correspondence, in every sense of the word, with Walter Benjamin – a man who has the same birth-day as Derrida.  It is, though, the date of Benjamin’s death and its infamous mise-en-scène, the cheap hotel on the Franco-Spanish border, that dominate ‘Hotel October,’ a text which takes the form of a dramatic monologue delivered by the proprietor, Juan Suñer - a man known to be both a manipulator of dates and, indeed, close to the Gestapo.  As the monologue unfolds, Suñer advances an elaborate calendrical re-reading of a host of Derrida texts which probes at the mystery not only of Benjamin’s last night but also of living with both Jewish and Christian calendars.  Finally, we see how this last of nights puts under unbearable pressure the infinite promise of both the Jewish Sabbath and the Christian Sunday.

 

Presenter:

Professor John Schad (Department of English Literature and Creative Writing, Lancaster University) has a research focus in: critical-creative writing; modernism; Victorian writing; literary theory; and the relationship between religion and literature. These interests are reflected in his major publications - seven authored books: namely, Hostage of the Word: Readings into Writings 1993-2013 (Sussex), The Late Walter Benjamin (Bloomsbury), Someone Called Derrida: An Oxford Mystery (Sussex), Arthur Hugh Clough (Northcote House), Queer Fish: Christian Unreason from Darwin to Joyce (Sussex), Victorians in Theory (Manchester UP), and The Reader in the Dickensian Mirrors (Macmillan); and my five edited books: namely, Dickens Refigured (Manchester UP); Thomas Hardy, A Laodicean (Penguin); Writing the Bodies of Christ (Ashgate); Crrritic!(Sussex); and life.after.theory (Continuum). The last book included new interviews with Jacques Derrida, Frank Kermode, Toril Moi, and Christopher Norris. Prof Schad has also been General Editor for a series of experimental monographs called critical inventions. The series includes titles by Thomas Docherty, Roger Ebbatson, J.Hillis Miller, Kevin Mills, David Punter, Michael Wood and Jean-Michel Rabaté.

Professor John Schad (Department of English Literature and Creative Writing, Lancaster University)

 

About Research Seminar and Workshop Series

 


School of Communication and Arts Research Seminar Series

The research seminar and workshop series occur each semester, each with a different topic and guest speaker from UQ or otherwise.

Friday, 23 Febraury
12-1pm

Hybrid: Online via Zoom and in person at the
SCA Writer's Studio
(Level 6, Michie)

The Szondi Test: Mimetic Desire and the Media of PsychiatryDr Grant Bollmer

Friday, 23 Febraury
12-1pm

Hybrid: Online via Zoom and in person at the
SCA Writer's Studio
(Level 6, Michie)

Adaptation, Narrative and Rites of PassageAdjunct Professor Michael Eaton

Friday, 12 April
12-1pm

Hybrid: Online via Zoom and in person at the
SCA Writer's Studio
(Level 6, Michie)

A Wrench in the Works of the Dream Factory: Special/Visual Effects in the Hollywood Studio Era, 1915-1965Prof. Julie Turnock

Tuesday, 23 April
12-1pm

Hybrid: Online via Zoom and in person at the
SCA Writer's Studio
(Level 6, Michie)

An artistic path between art and science: Vulcano, Fata Morgana, and Min Min Light

Maria Leonardo Cabrita

Monday, 24 June
12-1pm

Hybrid: Online via Zoom and in person at the
SCA Writer's Studio
(Level 6, Michie)

Mapping Climate Change through a macrocosm – a UNESCO-Tagged World Heritage Site in IndiaA/Prof Deepti Ganapathy

 

Venue

Level 6, Michie Building (#9)
Room: 
601