On Materiality and Meaning

Presented by Professor Ewa Lajer-Burcharth (Harvard University)

Date: 16 March, 2018
Time: 3pm-4pm
Location: Digital Learning Space (Room 224, Level 2), Joyce Ackroyd Building (#37) 


Abstract:

What can be gained from considering a painting not only as an image but also a material object? The seminar will consider the methodological promises and challenges of recent shift in art history towards materiality, focusing specifically on the question of meaning. Contemporary paramedial practice of painting as well as eighteenth-century experiments with the medium will be discussed.

Recommended Reading, Ewa Lajer-Burcharth, “The Inner Life of Painting,” (on Amy Sillman), in Amy Sillman: One Lump or Two, Helen Molesworth, ed. (Boston: ICA & Prestel, 2014): 83-118; and Ewa Lajer-Burcharth “Chardin’s Craft,” The Painter’s Touch, chap. 2.

 

Presenter:

Ewa Lajer-Burcharth is the William Dorr Boardman Professor of Fine Arts in the Department of History of Art and Architecture at Harvard University. She is the author of Necklines: The Art of Jacques-Louis David after the Terror (Yale University Press, 1999); Chardin Material (Sternberg Press, 2011); and The Painter’s Touch: Boucher, Chardin, Fragonard, (Princeton University Press, 2017). She has also coedited and contributed to Interiors and Interiority (with Beate Söntgen; De Gruyter, 2015; Painting Beyond Itself: the Medium in the Post-medium Condition (with Isabelle Graw; Sternberg Press, 2016); and Drawing: The Invention of A Modern Medium (with Elizabeth M. Rudy; Harvard Art Museums, 2017). Recipient of the Getty Postdoctoral Fellowship and the Guggenheim Fellowship, among others, she was also a fellow at of the Institute for Advanced Study at Princeton, the Wissenshaftskolleg zu Berlin, the Radcliffe Institute of Advanced Study, and the Institut National d’Histoire de l’Art in Paris. Her current research interests include historical conceptualization of drawing as a practice, a medium and a discourse; the issue of artistic individuality in its different historical formulations; the relation between space and subjectivity; the question of interiority; the dialectic of privacy and publicness; the historical conceptions of painting as a practice, a discourse and an institution; art practice in a revolutionary situation, and art, architecture and technology in the Enlightenment.

This seminar is presented by the Power Institute with support from the Keir Foundation and the UQ Translational Research in Creative Practice research group.

Dr Ewa Lajer-Burcharth

 

About Research Seminar and Workshop Series

 


The research seminar and workshop series' occur each semester, each with a different topic and guest speaker from UQ or otherwise.

Unless otherwise advertised, the seminars occur on a Friday afternoon from 3-4 pm in the Digital Learning Space (Room 224) in the Joyce Ackroyd Building (#37).

Semester 2, 2019 Seminars & Workshops

 

Friday, 26 July
3-4pm

School Forum

 

Friday, 2 August
3-4pm

Who Owns Your Face? Personal Identity Rights in the Era of Augmented Reality and Facial Recognition Technology

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Gordon Finlayson

Friday, 16 August
3-5 pm
 

3:00pm-4:00pm (Panel)

4:00pm- onwards (CAPS launch event)

CommArts Postgraduate Society Panel: “How to Write a Journal Article and Target the Right Journals”

CommArts Postgraduate Society Launch/ new HDR student welcome

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Angela Hannan (SCA Librarian)

Dr Elena Danilova (Scholarly Publishing, Library)

Dr Ted Nannicelli (Editor, Projections: The Journal for Movies and Mind)

Associate Professor Kelly Fielding (Communication scholar)

Dr Jennifer Clement (Literary Studies scholar)

Associate Professor Pradip Thomas (Communications, Media and Cultural Studies scholar)
Friday, 23 August
3-5 pm

All in One Quire: Emotional Communities in John Donne's Easter Sermons

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Jennifer Clement

Friday, 6 September
3-4pm

Examining intergenerational cultural transmission in refugee families: A study of Congolese, Burmese, and Ethiopian refugee families resettled in Australia

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Aparna Hebbani and Mairead MacKinnon

Friday, 13 September
3-4pm

CANCELLED

AustLit and BlackWords—Platforms for Storying Research

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Kerry Kilner and The AustLit Team

Friday, 27 September
3-4pm

Centre for Critical and Creative Writing Hosted Roundtable: The State of Australian Arts Criticism

The Geoffrey Rush Drama Studio

 

Dr Stephen Carleton with panellists Miriam Cosic, Alison Croggon, Carissa Lee and Kathryn Kelly
Friday, 4 October
3-4pm

Enacting a Sense of Home Among Older Chinese Migrants in Australia

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

A/Prof Shuang Liu
Friday, 11 October
3-4pm

Selfies, Affordances, and Situational Properties

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Katrin Tiidenberg, Tallinn University

Friday, 18 October
3-4pm

To Not Die of History

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Cherry Smyth

Friday, 25 October
3-4pm

POSTPONED UNTIL 2020 - TBA

Why Paintings Matter: Filming Bruegel’s Hunters in the Snow (1565)

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Andrea Bubenik

 

Venue

Room: 
Digital Learning Space, Joyce Ackroyd Building #37