On Friday, 6th May there will be a special 90 minute seminar which will focus on the research of three postgraduate students.

 

Each student will give a 20 minute presentation followed by 10 minutes for questions.

 

1. Resistance as Curatorial Model: Aratjara and the Reframing of Australian Indigenous Art

 During 1993-94, the exhibition Aratjara: Art of the First Australians, toured in three European cities.  The political context in which it was conceived, as well as its deliberate ‘white cube’ curatorial aesthetic, were antithetical to the detached, didactic model of ethnographic displays of Indigenous art that prevailed in Europe at the time. Given this, the paper considers the curatorial methods employed in Aratjara as a statement of resistance to conventional notions of contemporary art during a period of dramatic revisionism.

  • Tasha Finn is a PhD candidate in Art History researching international curatorial responses to Australian Indigenous art.

 

2. Machine Gun Dreams: Documentary Photography as Epistolic Dialogue

My adult relationship with my father is difficult for me. It is not abusive, violent or exploitative, though differences between us have contributed to an expanding trajectory of disconnection. This study examines the use, and limits, of a contemporary documentary photographic practice to address and challenge fissures in the relationship. Drawing on notions of transgenerational trauma and ethical philosophy the PhD project is nearing completion though the relationship and its difficulties continue.

  • Isaac Brown is completing a photographic practice led PhD and is a sessional lecturer at Griffith University.

 

3. A New Day for Hulk Hogan: Performing Communicative Capitalism and the Rhetoric of Racial Diversity in the Postmillennial Media Marketplace

If World Wrestling Entertainment (WWE) were ever to commission a Mount Wrestlemore to honour its suspiciously muscular men, Hulk Hogan's face would ordinarily be the most prominent one on this putative monument. Hogan's July 2015 firing and blacklisting from WWE, due to his racially-charged comments on a 2007 sex tape shot with his best friend's wife, was thus a highly-newsworthy event.

This presentation considers the Hogan firing-whitewash in order to examine how WWE is fulfilling, as part of a norms-influenced corporate social responsibility ethos, a commitment to diversity in a postmillennial America where racial issues remain a hot button and a structuring scar even in the country’s media culture. This examination of WWE’s postmillennial racial politics combines research on corporate social responsibility with the new media scholar Jodi Dean’s work on the (il)logic of communicative capitalism. It locates WWE’s actions with Hogan as a response in line with a domestic media marketplace where the rhetoric of racial diversity is fetishized; this especially in communicative capitalism’s plethora of fractious public spaces which new media channels afford their user-audiences. WWE's handling of the Hogan affair is seen as a strategy through which corporate social responsibility is necessarily spectacularly performed in the public spaces of communicative capitalism.

  •  Wilson Koh's PhD thesis deals with how professional wrestling is adapting successfully to a post-broadcast media environment. His most recent publication, with Aaron Choo in Revisioning Terrorism: A Humanistic Perspective, deals with hyperbolic representations of terrorism -- "blockbuster terrorism" -- in popular media texts. 

About Research Seminar and Workshop Series

 


The research seminar and workshop series' occur each semester, each with a different topic and guest speaker from UQ or otherwise.

Unless otherwise advertised, the seminars occur on a Friday afternoon from 3-4 pm in the Digital Learning Space (Room 224) in the Joyce Ackroyd Building (#37).

Semester 2, 2019 Seminars & Workshops

 

Friday, 26 July
3-4pm

School Forum

 

Friday, 2 August
3-4pm

Who Owns Your Face? Personal Identity Rights in the Era of Augmented Reality and Facial Recognition Technology

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Gordon Finlayson

Friday, 16 August
3-5 pm
 

3:00pm-4:00pm (Panel)

4:00pm- onwards (CAPS launch event)

CommArts Postgraduate Society Panel: “How to Write a Journal Article and Target the Right Journals”

CommArts Postgraduate Society Launch/ new HDR student welcome

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Angela Hannan (SCA Librarian)

Dr Elena Danilova (Scholarly Publishing, Library)

Dr Ted Nannicelli (Editor, Projections: The Journal for Movies and Mind)

Associate Professor Kelly Fielding (Communication scholar)

Dr Jennifer Clement (Literary Studies scholar)

Associate Professor Pradip Thomas (Communications, Media and Cultural Studies scholar)
Friday, 23 August
3-5 pm

All in One Quire: Emotional Communities in John Donne's Easter Sermons

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Jennifer Clement

Friday, 6 September
3-4pm

Examining intergenerational cultural transmission in refugee families: A study of Congolese, Burmese, and Ethiopian refugee families resettled in Australia

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Aparna Hebbani and Mairead MacKinnon

Friday, 13 September
3-4pm

CANCELLED

AustLit and BlackWords—Platforms for Storying Research

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Kerry Kilner and The AustLit Team

Friday, 27 September
3-4pm

Centre for Critical and Creative Writing Hosted Roundtable: The State of Australian Arts Criticism

The Geoffrey Rush Drama Studio

 

Dr Stephen Carleton with panellists Miriam Cosic, Alison Croggon, Carissa Lee and Kathryn Kelly
Friday, 4 October
3-4pm

Enacting a Sense of Home Among Older Chinese Migrants in Australia

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

A/Prof Shuang Liu
Friday, 11 October
3-4pm

Selfies, Affordances, and Situational Properties

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Katrin Tiidenberg, Tallinn University

Friday, 18 October
3-4pm

To Not Die of History

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Cherry Smyth

Friday, 25 October
3-4pm

POSTPONED UNTIL 2020 - TBA

Why Paintings Matter: Filming Bruegel’s Hunters in the Snow (1565)

Digital Learning Space (Room 224, Level 2),
Joyce Ackroyd Building (#37)

Dr Andrea Bubenik

 

Venue

Room: 
Room 601, level 6, Michie Building (#9)