Webtoons and Transmedia Innovations in a New Digital Economy

1 October 2019 9:30am5:00pm
Webtoons are a new addition to the popular Korean Wave creative industry phenomenon, which includes recent activities involving the supergroup BTS and their webtoon Save Me, as well as digital content created by Marvel superstar Stan Lee and others from the US entertainment industries. Vertically-scrolling webtoons – a term merging “web” and “cartoons,” coined in South Korea in the early 2000s, have become a transmedia phenomenon. Presenters: Tae-Jin Kang, Park Seok-hwan, Sun-Tae Hwang, Aaron Sammut, Lee Jae-Sik, Milan Ilich, Dan Gilmore, Dingkun Wang.

State of Play: Australian Arts Criticism Panel with Miriam Cosic, Alison Croggon, Carissa Lee and Kathryn Kelly

27 September 2019 3:00pm5:00pm
The University of Queensland’s School of Communication and Arts and the Centre for Critical and Creative Writing invite you to attend a panel discussion on the state of play in Australian arts criticism.

Research Seminar - Who Owns Your Face? Personal Identity Rights in the Era of Augmented Reality and Facial Recognition Tech

2 August 2019 3:00pm4:00pm
Recent advances in augmented reality and facial recognition are posing questions for governments, big tech and privacy advocates about what rights individuals have to control their own personal identity. While DeepFake and augmented reality technology is becoming more widely available to consumers, our personal identity is increasingly used by big tech and government in the form of facial recognition. Presenter Gordon Finlayson explores the changing landscape of personal identity and privacy rights.
VIDEO AVAILABLE

Market Information in the Age of Platform Dominance: Implications for Computational Social Science

24 June 2019 11:00am12:30pm
We find ourselves in an era where much of audience activity centres around a handful of digital platforms. This also has impacted how we learn about audiences. Audience measurement has traditionally been the province of neutral third-party firms, whereas digital platforms provide their own measurement estimates, the production of which is largely shielded from external stakeholders. Presenter Harsh Taneja delineates this ongoing shift in market information regimes in media markets raising critical questions for the emerging area of computational social science.
Millenial Image Talk

Researching the Media User through Big Data: A Research Methods Conversation with Dr Harsh Taneja

21 June 2019 11:00am12:30pm
Contemporary media research necessitates the creative use of the audience and media use data of commercial market information providers to answer fundamental questions about media usage. In this research roundtable, presenter Harsh Taneja will discuss the research methods he deploys to allow the large datasets of panel-based audience measurement firms such as Nielsen and comScore to illuminate some of the most pressing problems in our transition to online enabled media.

Roundtable on Platform Media as Traditional Media

12 June 2019 1:00pm2:30pm
It has been customary in media studies to take platform media at their word and consider them as technology companies. This, with some exceptions, has been the case whether or not these companies are being discussed by cultural industries, political economy or new media/digital media scholars. However, the rise of platform media and their extension from social media and search to subscription-based streaming services has brought platforms into the very centre of media studies generating renewed interest in distribution and infrastructures paving the way for a general interrogation of platform media as media industries. Presenters Tom O’Regan and Andrew Ventimiglia will scope out continuities in media repertoires to better clarify their particular working out in platform media.

Revising Communication Law and Ethics for Platform Media

5 June 2019 1:00pm2:30pm
“Communication Law and Ethics” is a foundational Communications course designed to inform future media professionals about the legal issues and ethical norms relating to communication and media industries. The core components of this course have historically been central to traditional media industries. Yet, the emergence of digital platforms has changed every dimension of the contemporary media ecosystem. How are we to revise Communication Law and Ethics in order to adequately address this change and prepare students for a very different media world than the one imagined in the textbooks? Panellists: Andrew Ventimiglia, John Harrison, and Jane Johnston, moderated by Tom O’Regan.

Reimagining Media Seminar - Holding the line: Corporate Social Responsibility and Digital Citizenship

3 June 2019 3:00pm5:00pm
In the wake of the Cambridge Analytica scandal, and paralleling a growing discussion around the concept of Digital Citizenship, societies around the globe are engaging in new ways of imagining what corporate social responsibility should look like in the digital domain. Citizens and policy makers are in active discussions around identifying a forward-facing vision of how platforms can and should behave in terms of performing civic responsibility in supporting the best possible ideals for democratic engagement. This is the battle for the ‘hearts and minds’ of users currently being waged by the platforms themselves. Presenter: Lelia Green.

Reimagining Media Seminar - Holding the line: Corporate Social Responsibility and Digital Citizenship

3 June 2019 3:00pm5:00pm
Holding the line: Corporate Social Responsibility and Digital Citizenship
Lelia Green
School of Arts and Humanities, Edith Cowan University

Journalism by Numbers: What the Census Tells us about Journalists and Journalism since the 1960s

26 April 2019 3:00pm4:00pm
In this paper we use the five yearly census of occupations and industries to develop a comparative historical perspective on Australian journalism stretching from 1961 to 2016. Connecting patterns of journalism employment with wider histories of media transformation of which our latest iteration, online media form a part, we show how the open internet era (2001-2011) was substantially in continuity with the longue durée of journalism and media development that precedes it while the platform media era (2011-2016) marks a significant departure from these historical patterns. Presenters: Tom O’Regan and Catherine Young.
VIDEO AVAILABLE

Streaming, disruption and the evolving cultures of use

12 April 2019 3:00pm4:00pm
This paper draws upon an empirical project into television consumption during a period (2015-17) when the arrival of Netflix transformed the television market in Australia. The results of that project have served as a provocation to the argument that television studies needs to focus in a more considered and apposite way on how consumption is now configured in a context where streaming has become a major constituent of the experience of television. This, the paper argues, may require not only a shift in focus, but also in method and approach. Presenter: Graeme Turner.

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